Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens angelica och eremiten oil painting


angelica och eremiten
olja pa tra 66x43cm 1630-31 se
Painting ID::  70802
Peter Paul Rubens
angelica och eremiten
olja pa tra 66x43cm 1630-31 se
   
   
     

Peter Paul Rubens Council of Gods oil painting


Council of Gods
Medium Oil on panel Dimensions 52,8 x 92,2 cm
Painting ID::  70831
Peter Paul Rubens
Council of Gods
Medium Oil on panel Dimensions 52,8 x 92,2 cm
   
   
     

Peter Paul Rubens Alathea Talbot oil painting


Alathea Talbot
Medium Oil on canvas Dimensions Expression error: Missing operand for *259 x 267 cm
Painting ID::  70939
Peter Paul Rubens
Alathea Talbot
Medium Oil on canvas Dimensions Expression error: Missing operand for *259 x 267 cm
   
   
     

Peter Paul Rubens Saint Ambrose forbids emperor Theodosius oil painting


Saint Ambrose forbids emperor Theodosius
Medium Oil on canvas Dimensions Deutsch: 535 x 395 cm
Painting ID::  70950
Peter Paul Rubens
Saint Ambrose forbids emperor Theodosius
Medium Oil on canvas Dimensions Deutsch: 535 x 395 cm
   
   
     

Peter Paul Rubens Holy Family under the Apple Tree oil painting


Holy Family under the Apple Tree
Peter Paul Rubens
Painting ID::  70960
Peter Paul Rubens
Holy Family under the Apple Tree
Peter Paul Rubens
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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